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Marc Jacobs RTW Fall 2019

“You have to come to New York to see a private couture show.”
That observation came from no less an aficionado of the haute genre than Sidney Toledano. Surely the couture notion crossed some other minds of those exiting the Marc Jacobs show on Wednesday night after what was a dazzling display of fashion.
Jacobs scaled everything back but the fashion impact. He showed 40 looks, fewer than his typical 60-plus, to an audience far smaller than usual. Yet he kept the show at the vast Park Avenue Armory, where he installed a reflective black glass floor and hired the American Contemporary Music Ensemble to perform live. He positioned the quartet off in a corner, far from the runway but well-lit and very much in view as the models proceeded out, each commanding the space solo and exiting fully before the next girl emerged. It all coalesced into a haunting dialogue between intimacy and distance.
The clothes were exquisite. “Each [look] will be an exaggeration of our view of who each of the women is,” Jacobs said during a preview. “For lack of a better word, it’s like a cabine of women we love.” Perhaps the most loved: Christy Turlington Burns, who last

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Via:: https://wwd.com/runway/fall-ready-to-wear-2019/new-york/marc-jacobs/review/